Film

Showing results 1-20 of 115

Starring Ayo Edebiri, A24’s glossy horror-comedy attempts high satire and settles for airplane entertainment

BY Ian Bourland |

Alain Guiraudie’s ‘Misericordia’ and Bruno Dumont’s ‘The Empire’ ask us to rethink good and evil

BY Marko Gluhaich |

Luca Guadagnino’s new film re-envisions William S. Burroughs’s 1985 autofictional text on sexuality, desire and alienation

BY Madeleine Seidel |

An adaptation of Colson Whitehead’s acclaimed novel uses first-person perspective to intimately portray the joys and struggles of Black life

BY Terence Trouillot |

Francis Ford Coppola’s 120-million-dollar passion project reflects his singular creative control, for better and worse

BY Dan Schindel |

From Nicole Kidman’s BDSM adventures to a pastoral docudrama by French twin directors Ludovic and Zoran Boukherma, here are five films to keep an eye out for this year

BY Ela Bittencourt |

By foregoing a meaningful environmental message, the disaster film sequel risks being just another unnecessary remake

BY Caitlin Quinlan |

Rose Glass’s queer romance, starring Kristen Stewart and Katy M. O’Brian, is a full of sex and violence but lacks the kind of punch to go beyond the tropes it tries to subvert

BY Lydia Popplewell |

‘Evil Does Not Exist’ is a complex exploration of sensations that indulges in the withheld and sublimely ambiguous

BY Carlos Valladares |

An interview with the filmmaker on how to reconfigure our relationship with siren sounds away from catastrophe towards collectivity and care

BY Xenia Benivolski AND Aura Satz |

BALDIGA – Unlocked Heart, a new documentary on the Berlin photographer, provides fresh insight but underplays the epicurean experiences that shaped his art

BY Cole Collins |

The German director discusses his latest Oscar-nominated film and adopting the philosophy of a Tokyo toilet cleaner

BY Stefania Tsivelekidou |

At this year’s Berlinale, the queen of electroclash proves why she’s still a badass raconteur of the crass and libidinous

BY Angel Lambo |

In his feature film debut, the director depicts Chile’s violent history while shedding light on the Selk’nam genocide

BY Arun A.K. |

For the latest Auschwitz drama, sound designer Johnnie Burn discusses working with Jonathan Glazer to reveal how ordinary people can quickly become accustomed to horror

BY Rory O'Connor |

The Passages director on independent filmmaking, censorship and the dynamics of power

BY Ira Sachs AND Chloe Stead |

Documentary filmmaker Paloma Zapata restores the spotlight on the deaf gitano dancer who revolutionized flamenco, yet was written out of history

BY Ellie Howard |

Paul Preciado’s genre-bending documentary re-envisions Virginia Woolf’s classic novel

BY Arun A.K. |

Frieze Film comes back to Seoul for 2023 with works that fracture and displace narratives while encouraging visitors to explore the city’s independent art spaces