Film

Showing results 21-40 of 103

The former starlet’s return to the screen is just a reminder of how far she has fallen from favour

BY Harley Wong |

Ahead of the UK premiere of ‘Triangle of Sadness’, the Swedish director talks to Rory O’Connor about his latest jab at the mega rich

BY Rory O'Connor |

The auteur inverts Hollywood genre tropes in an alien invasion romp that questions what we see and believe

BY Ian Bourland |

The novelist watches Joanna Hogg’s two recent films and muses on how they convey the lessons learned in creative practices

BY Elif Batuman |

The director’s return to the body horror genre exposes crimes of the heart

BY Carlos Valladares |

Featuring Emma Stone, Damien Bonnard and a well-trained trip of goats, the Greek director’s silent short frees him from the pressures of the box office

BY Rory O'Connor |

Rory O’Connor watches the filmmaker’s distinctive oeuvre which brings low-budget austerity to the film festival circuit

BY Rory O'Connor |

Caitlin Quinlan speaks to director Joachim Trier about coming of age and how to capture the spirit of a city

BY Caitlin Quinlan |

In Does Your House Have Lions (2021), the filmmaking duo explore the meaning of friendship, community and freedom against a backdrop of inequality and state violence

Artists Matt Peterson and Malek Rasamny on their multimedia project, which investigates the parallels between North American Indigenous reservations and Palestinian refugee camps

In Parallel Mothers (2021), the director delves further into the difficulties of Spain's political past

BY Tommy Greene |

25 years after its premiere, Wong’s film about being unable to escape the present strikes a new relevance 

BY Shiv Kotecha |

Gessica Généus’s feature film debut tells a touching story about a young woman’s struggle to find hope in a country full of despair and violence

BY Terence Trouillot |

Matt Lloyd Turner reviews IFFR’s Tiger Shorts Competition – programming focused on collectivity – to see what changes when viewed on a computer screen

BY Matt Lloyd Turner |

As Memoria opens across the UK, the acclaimed Thai director talks to Rory O’Connor about casting Tilda Swinton and the power of the big screen

BY Rory O'Connor |

From the red/blue pill symbolism to the trans allegory, McKenzie Wark muses on the real-life narratives surrounding the simulated world of The Matrix

BY McKenzie Wark |

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

BY Travis Diehl |

Sasha Frere-Jones pens a letter to Todd Haynes, the director of the new documentary, which charts the band’s illustrious career

BY Sasha Frere-Jones |

The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality

BY Mackenzie Lukenbill |

With the UK film release of Jack London’s novel Martin Eden, Caitlin Quinlan speaks to the director about the adaption's themes of class, mobility and hazardous individual success

BY Caitlin Quinlan |