EU Reviews

Showing results 1-20 of 310

At Tabakalera, San Sebastián, an expansive show dedicated to the artist alludes to the broader challenges of mid-career retrospectives

BY Max Andrews |

At Portikus, Frankfurt am Main, the artist’s minimalist objects urge for collective self-reflection

BY Helena Julian |

At Centro Andaluz de Arte Contemporáneo, Seville, the artist’s earthen installations address the contested history of land

BY Edmée Lepercq |

At Kin Museum of Contemporary Art, Kiruna, the artist’s embroidered canvases depict Sámi culture’s close relationship to nature

BY Amanda Hakoköngäs |

A spectre of danger permeates the works in this impressive survey at the Irish Museum of Modern Art, Dublin 

BY Sean Burns |

At the National Gallery of Kosovo, the artist highlights the stifling media depictions of women in former socialist Yugoslavia

BY Erëmirë Krasniqi |

At the Museum für Moderne Kunst, Frankfurt, the artist questions our unwavering faith in efficiency and development

BY Krzysztof Kościuczuk |

At Haus am Waldsee, Berlin, the artist’s life-like dolls use silence to navigate discourse around violence

BY Gabriela Acha |

At Capitain Petzel, Berlin, the artist’s vivid tableaux of exercise and protest convey a sense of motionless uncertainty

BY Oliver Osborne |

Inspired by a Maryse Condé novel, this group exhibition at Palais de Tokyo, Paris, asks where and with whom refuge can be found

BY Yaa Addae |

At APALAZZOGALLERY, Brescia, the artist’s first solo retrospective mainlines virility and homosocial tenderness as a foil to abject mementos of the AIDS crisis

BY Joe Bobowicz |

In a complex exhibition at Z33, Hasselt, images and items from mass culture permeate the murals and installations on display

BY Lisette May Monroe |

At Galerie Elisabeth & Klaus Thoman, Vienna, the artist’s textured paintings invite us to delve beneath their surface

BY Simone Molinari |

The 15th Baltic Triennial at the Contemporary Art Centre, Vilnius, forgoes a strict curatorial premise, suggesting that artworks should speak for themselves

At the Museum Angewandte Kunst, Frankfurt, the artist’s elusive works defy institutional classification by embracing artistic motion

BY Ben Livne Weitzman |

At Galerie Thomas Schulte, Berlin, the artists small-scale canvases depict refreshingly palpable scenes of queer desire

 

BY Louisa Elderton |

At Franz-Josefs-Kai 3, Vienna, the artist presents a show whose engagement with water is inseparable from a deep sensibility towards Indigenous history

BY Ramona Heinlein |

At Centro de Arte Moderna Gulbenkian, Lisbon, the artist guest curates an exhibition that tackles the history of gender bias in institutional acquisitions

BY Vanessa Peterson |

In his first solo institutional exhibition at Centro Pecci, Prato, the artist’s intimate vignettes honour queer sensuality

BY Lou Selfridge |

From Chris Ofili’s portraits of Othello at David Zwirner to Barbara Crane’s double-exposed casino signs at Centre Pompidou

BY Ren Ebel |