US Reviews

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Spanning Gladstone Gallery and Sprüth Magers in New York, the conceptual artist’s doubleheader revisits and remixes old work

BY Madeleine Seidel |

At Tanya Bonakdar Gallery, New York, the artist’s latest exhibition posits a new method for performing

BY Madeleine Seidel |

As the US administration withdraws LGBTQ+ resources, a show at the Tang Teaching Museum, Saratoga Springs, celebrates queer lives

BY James Voorhies |

The Coachella Valley biennial toes a line between social-media shareability and thoughtful reflection on local histories of landscape

BY Jonathan Griffin |

At Soft Network, New York, a show of the East Village artist’s photographs and archival materials paints a picture of her queer community

BY Simon Wu |

At MoMA, New York, a gripping retrospective traces decades of the artists experimentation with the medium

BY Zoë Hopkins |

At Templon Gallery, New York, the artist’s pointilist canvases probe the politics of legibility and identity

BY Shameekia Shantel Johnson |

Building on his presentation at the Venice Biennale, the artist’s show at The Bell, Providence reflects on diasporic wisdoms

BY Rebecca Rose Cuomo |

At BANK NYC, the show is most effective when it engages with haptics at a distance

BY Louis Bury |

At Fraenkel Gallery, San Francisco, a show of abandoned projects sees the artist contemplating endings

BY Nicholas Gamso |

Overtaking two of Matthews Marks Gallery’s New York locationsher installations explode stale hierarchies of taste

BY Wendy Vogel |

In her exhibition at Management, New York, the artist presents a dissolving model city with an uncertain afterlife

BY Annabel Keenan |

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

BY Ana Vogelfang |

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

BY Vanessa Holyoak |

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

BY Geoffrey Mak |

Riffing on a technology trade fair, the artists show at Reena Spaulings Fine Art, New York, suggests that whats onscreen doesnt matter

BY Jeppe Ugelvig |

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

BY Sarah Lehrer-Graiwer |

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

BY Cassie Packard |

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

BY Claudia Ross |

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

BY Joseph Akel |