US Reviews

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The 12th SITE Santa Fe International considers fictitious, historical and living characters – a curatorial gamble that pays off

At Canal Projects, New York, the artist explores connection itself with an erotic choreography of mechanical repair

BY Mariana Fernández |

Spanning Gladstone Gallery and Sprüth Magers in New York, the conceptual artist’s doubleheader revisits and remixes old work

BY Madeleine Seidel |

At MIT List Visual Arts Center, Cambridge, the artists bisected interiors and celestial projections attune viewers to their everyday environments

BY Helen Miller |

At Chapter NY, New York, the artist’s chemical paintings evoke industrial processes and spontaneous reactions

BY Peter Brock |

The pioneering artist, who has worked with machine vision since the 1970s, gets the retrospective treatment at the Buffalo AKG Art Museum

BY Lauren Stroh |

At Tanya Bonakdar Gallery, New York, the artist’s latest exhibition posits a new method for performing

BY Madeleine Seidel |

As the US administration withdraws LGBTQ+ resources, a show at the Tang Teaching Museum, Saratoga Springs, celebrates queer lives

BY James Voorhies |

The Coachella Valley biennial toes a line between social-media shareability and thoughtful reflection on local histories of landscape

BY Jonathan Griffin |

At Soft Network, New York, a show of the East Village artist’s photographs and archival materials paints a picture of her queer community

BY Simon Wu |

At MoMA, New York, a gripping retrospective traces decades of the artists experimentation with the medium

BY Zoë Hopkins |

At Templon Gallery, New York, the artist’s pointilist canvases probe the politics of legibility and identity

BY Shameekia Shantel Johnson |

Building on his presentation at the Venice Biennale, the artist’s show at The Bell, Providence reflects on diasporic wisdoms

BY Rebecca Rose Cuomo |

At BANK NYC, the show is most effective when it engages with haptics at a distance

BY Louis Bury |

At Fraenkel Gallery, San Francisco, a show of abandoned projects sees the artist contemplating endings

BY Nicholas Gamso |

Overtaking two of Matthews Marks Gallery’s New York locationsher installations explode stale hierarchies of taste

BY Wendy Vogel |

In her exhibition at Management, New York, the artist presents a dissolving model city with an uncertain afterlife

BY Annabel Keenan |

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

BY Ana Vogelfang |

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

BY Vanessa Holyoak |

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

BY Geoffrey Mak |