From Mark Bradford's inauguration of Hauser & Wirth’s Menorca outpost to the first major retrospective dedicated to Pia Arke in Denmark, here are a selection of European shows not to miss this September
At Louisiana Museum of Modern Art, Humlebæk, the artist’s first major retrospective traces the complex entanglements of colonial and personal histories
From Jumana Manna's solo exhibition at M HKA, Antwerp, to a retrospective of the late artist Chiara Fumai at Centro Pecci, Prato, these are the institutional shows not to miss in the Schengen area
Through clever exhibition design and a mix of historical and contemporary positions, ‘The Endless Frontier’, offers a telescopic view onto complex issues
For the inaugural exhibition at Hauser & Wirth’s island outpost, the artist has created a new series of paintings and sculptures that span from the European discovery of the New World to racialized urban zoning
At Villa Carmignac, Pourquerolles, the pioneering underwater photographer Jean Painlevé acts as a guiding spirit for a group exhibition that depicts the beguiling strangeness of aquatic life
From Yael Bartana's expansive solo exhibition at the Jewish Museum Berlin to a group exhibition that depicts the oddities of aquatic life, here are our must see shows in the Schengen
At Casa Masaccio, San Giovanni, the artist's solo show, 'While We Were Sleeping' leans on religious allegories to depict the nihilist nature of modern anxieties
Stemming from a new investigation into the fatalities of the Irish revolution in County Cork, 'For Those That Tell No Tales' at Crawford Art Gallery reminds us why memory is important
At the Jewish Museum Berlin, the Israeli-born artist’s newly commissioned, three-channel video and sound installation continues her career-long investigation into the visual language of messianic desire
From Lydia Ourahmane lockdown-inspired exhibition at Triangle – Astérides to Marcin Dudek's deconstruction of his football firm past at Harlan Levey Projects, here's what not to miss
The director’s latest film questions the reality of social media tropes and the boundaries between ‘genuine’ and ‘performed’ in a world of online influencers
At Harlan Levey Projects, the artist draws on his own experience as a working-class football fan during Poland’s 1990s passage from communism to capitalism
