Tom Morton is a writer, curator and contributing editor of frieze, based in Rochester, UK.
Capturing moments of stillness and anticipation, at Workplace, London, the artist uses layers of stippled colours to conjure never-ending narratives
With shades of the flâneur, the artist wanders the German philosopher’s rural retreat at Todtnauberg in a new series of short films
From ‘Spaceballs’ to ‘The Orville’, the reason why so many interstellar sitcoms fail to raise a smile
Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on
Some suggestions for the International Council of Museums
This year, all the shortlisted artists were named joint winners – what to make of this act of (institutionally approved) subversion?
In an exhibition at Focal Point Gallery, the artist looks to the local marshes of Canvey Island with a weird degree of hope
To expect the progressive, internationalist art world to participate in a celebration of Brexit is to fire a volley into the culture war
A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere
‘What our descendants will make of this object depends on what survives of us’
Lisson Gallery at Store Studios, London, UK
South London Gallery, UK
Moderna Museet, Malmö, Sweden
Stuart Shave/Modern Art, London, UK
Gagosian, London, UK
Tom Morton on Ragnar Kjartansson and the eternal return
Natalie Dray, Kendrick Lamar and James Magee: Tom Morton shares his highlights from 2015
How well do you remember 2015?
De Hallen, Haarlem, the Netherlands
Serpentine Gallery, London, UK
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