Exhibition Reviews

In a series of videos at Amant, Brooklyn, the artist’s alter ego accesses truths about existence, time and reincarnation

At CCA Berlin, the artist’s quiet studies of skin and surface reveal how the body both shelters and estranges us

At The Modern Institute, Glasgow, frenetic acrylic paintings and transformed found objects appear momentarily frozen – pinned in space as if caught mid-burst of becoming

At Fluentum, Berlin, the artist’s films ask how justice survives when power turns abuse into spectacle

At David Kordansky Gallery, Los Angeles, a nighttime exhibition with live musical performance celebrates the creative legacies of Black Americans

At Mattress Factory, Pittsburgh, the artist’s show about Egypt’s sun-dried tomato economy evokes mythologies around the mineral

At diez gallery, Amsterdam, the artist exhibits stark images of the six-metre-tall hedge that shields the billionaire’s property from public view

At Ciaccia Levi, Paris, the artist’s ‘clothing-images’ repurpose second-hand garments into sculptures which question the performativity of identity

This year, centred on collaborative partnerships and social justice, Ireland’s premier art festival presents a dynamic programme of process-driven, community-focused works

At Kunstverein Kevin, Vienna, the artist’s sculptures reposition the iceberg not as sublime icon but as delicate form

At David Zwirner, London, the artist’s nocturnal, otherworldly paintings are full of enigmatic symbols

At Bureau, New York, his airbrushed paintings feature enigmatic forms that evoke the first cracklings of consciousness

Against a backdrop of reactionary politics, this year’s exhibition in Bradford asserts the power of contemporary art to contest and rethink the country’s current trajectory

At the Institute of Contemporary Arts, London, a group exhibition asks how we might historicize the erasure of Black and Asian women from cultural spaces

At the Secession, Vienna, the artist’s hybrid works dwell in the in-between, embracing a fluid space of encounter

At the Julia Stoschek Foundation, Berlin, a solo show channels the ecstatic sounds and architectures of the artist’s adolescence

At P·P·O·W, New York, the artist’s textiles reckon with past experiences of trauma – and suggest she regained agency with every stitch

At White Cube Mason’s Yard, London, the artist’s paintings introduce an unexpected strain of feeling into the tradition of optical art

At Kunst Museum Winterthur, the artist retools industrial debris and art-historical fragments into sculpture

A group show at Robilant+Voena, Milan, revives the movement’s power, turning the familiar into the strange and haunting