계정
Hettie Judah is a writer based in London, UK.
At Nottingham Contemporary, the artist reflects on intertwined histories of data and digging
The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’
The artist talks about butterflies, the politicization of artefacts and the lost cultural history of his Kosovar home city
‘It showed the power of placing something dumb and ugly next to something glorious’
Works by Andra Ursuta at Fondazione Sandretto Re Rebaudengo, Turin, jams together diverse references from health cults to 1980s pop culture memes
At Studio Voltaire, London, the artists have transformed the former chapel into a wild Wilde Gesamtkunstwerk
Criticisms of impact are missing the project’s power to change behaviour, argues collaborator and geologist Minik Rosing
Two London exhibitions by belit sağ address police and military violence committed against Kurdish people in Turkey
An exhibition at MoMu, Antwerp, spotlights the largely female ‘Textielgroep’ from the 1970s hanging their work alongside contemporary practitioners
An exhibition at M HKA, Antwerp, explores the artist as brand and as charismatic cult leader
At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines
The second edition – Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans – pits old guard against young guns
Beyond the ‘forcefield of righteousness’ that occludes some political work, ‘Artes Mundi 8’ manages a complicated and rewarding show
On view at Skarstedt’s London gallery, US artist Sue Williams’s latest body of work reflects a battle against ‘hating everything’
Ahead of ‘Anni Albers’, which opens at Tate Modern next week, Hettie Judah visits the legendary German educational institution
The forthcoming exhibition ‘Modern Couples’ frames the shared lives of modernism’s artistic pairings – from Claudel and Rodin, to Maar and Picasso
Our guide to the shows not to miss, from Tania Bruguera’s Turbine Hall commission to Amy Sillman’s canvases at Camden Arts Centre
With 12 hours of talks (and only one 20-minute break) on a Saturday, the Serpentine Marathon illustrates how the art world plays by its own rules
Opening with a show about humour in art, there is a refreshing domesticity to SLG’s expansion
If the new V&A is Dundee’s public face to the world, it underscores the motto of the city’s famous resident: ‘think global act local’