Daniel Sinsel

At Sadie Coles HQ, London, the artist turns his pin-sharp brushwork to depth and volume, conjuring surfaces that seemingly scoop and protrude

Francis Alÿs, Untitled, 1994; Filippino Lippi, Allegoria dell’Amore (Allegory of Love), c.1500

Moving between concealment and display, the artist treads a fine line between seduction and deception

Sadie Coles HQ, London, UK