Philosophers Robin van den Akker and Timotheus Vermeulen talk…
Pablo Larios talks about 'Network Fatigue’ in the age…
Current Issue November-December 2014
Movie stars, late capitalism and fragmented attention spans
Is too much information ever enough?
The films of Abderrahmane Sissako
How to survive exile
Conversations, buildings, books and films
The dark, unsettling feminism of Jacqueline Rose
James Hoff’s music goes viral
Frederick Wiseman’s new documentary about London’s National Gallery
Q What could you imagine doing if you didn’t do what you do? A Drifting on a boat.
How humour feeds painting
With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America
‘Civilizations of the jaguar’, vacuum cleaners and the human body
Taking stock of stock images
On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas
Illustration and art history collide in Sanya Kantarovsky’s paintings
Decoding Uri Aran’s mysterious work-tables
The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde
Egyptian Desert Cinema
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Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine
Signal – Center for Contemporary Art, Malmö at Kunsthal Charlottenborg, Copenhagen
LABoral Centro de Arte y Creación Industrial
Gallery EXIT, Pearl Lam Galleries & Oi!
Aspen Art Museum
ltd los angeles
From September 2008
With recently opened retrospectives of the work of Pierre Huyghe at the Centre Pompidou and Philippe Parreno at the Palais de Tokyo, Paris is firmly on the art map this winter. In our 2008 city report Vivian Sky Rehberg and Cristina Ricupero reported on the cities thriving smaller and independent spaces. Have times changed?