Current Issue
September 2010
Pick & Mix
What is ‘super-hybridity’?
Moving Images
Site Sante Fe’s Eighth International Biennial is as inspiring as it is original
Don’t Show That!
Contemporary African artists respond to prejudice and homophobia
Postmodern Postmortem
Has a theory been replaced by a technology?
Books
From the economic crisis to fanaticism, three new publications explore the meaning of capital
Joyeux Anniversaire!
Michel Serres, one of the most influential and eccentric of French philosophers, turns 80
Changing Spaces
For the first time in its history, the Director of the Venice Architecture Biennale is a woman: acclaimed architect Kazuyo Sejima
Life in Film: Thomas Beard & Ed Halter
In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice
Analyze This
A round table discussion led by Jörg Heiser on ‘super-hybridity’: what is it and should we be worried? With Ronald Jones, Nina Power, Seth Price, Sukhdev Sandhu and Hito Steyerl
The Volcano Lover
Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples. Dominic Eichler accompanied him on his journey south
Chaos Theory
With their narrative and perceptual slippages, the films of Emily Wardill deal in condensation and complication
Nick Mauss
Drawings and anachronisms; books, prototype designs and romanticism
Andrea Büttner
Camcorders, convents, collectivism and confession
Haroon Mirza
Music, tradition and Islam; organized noise, film and instability
Parts & Labour
New York-based artist Amy Sillman talks with Matt Saunders about dandyism, comedy and the legacy of Abstract Expressionism
Jim Lambie
What could you imagine doing if you didn’t do what you do? Being in a boy band.
Page 1 of 1 pages
SculptureCenter
Knight’s Move
Leopold Museum
Otto Muehl
Casey Kaplan Gallery
Trisha Donnelly
Milton Keynes Gallery
Life and Times ...
Various venues
17th Biennale of Sydney
Galerie Andreas Huber
Sátántangó
Tate Modern
Francis Alys
Miguel Abreu Gallery
Eileen Quinlan
Schaulager
Matthew Barney
Various venues
Home Works 5
The Drawing Center
Leon Golub
Whitechapel Gallery
Rachel Harrison
Various venues
6th Berlin Biennale
Page 1 of 1 pages
Editors’ Blog 
Michael Clark Company
Tate Modern’s cavernous Turbine Hall on a rainy Saturday night is not what you’d call inviting. Even after repeated visits in the ten years…
Current Shows 
Cornerhouse
Unrealised Potential by Omar Kholeif
Exile
Summer Camp by Sam Williams
Neuer Berliner Kunstverein and Galeria Plan B
Ciprian Mureşan by Mitch Speed
Cottage Home
Support Group by Jonathan Griffin
Galerie Thaddaeus Ropac
Jack Pierson by Zoe Stillpass
Studio X
Ink: One Day in June by Iona Whittaker
Museum Haus Lange & Haus Esters
Ted Partin by Magdalena Kröner
Fondazione Querini-Stampalia
At Lesson with Carlo Scarpa by Emily Verla Bovino
Fondation Cartier pour l’art contemporain
Beat Takeshi Kitano by Eliza Williams
The Palm House, The Royal Botanic Gardens
Chris Watson by Daniela Cascella
Pace Gallery
Carsten Nicolai by Geeta Dayal
Malmö Konsthall
Pascale Marthine Tayou by Christine Antaya
Museo Nacional Centro de Arte Reina Sofía
Rosa Barba. A Curated Conference by Lorena Muñoz-Alonso
Comment 
Toy Stories
by Mark Fisher
Puppets, dolls and horror stories; Toy Story 3 and Thomas Ligotti’s new book
Sunsetcorp
by Geeta Dayal
Yacht Rock and DJ Screw: the YouTube films of Oneohtrix Point Never's Daniel Lopatin
David Toop
by Daniela Cascella
The British author and musician discusses Vermeer, Virginia Woolf and his new book Sinister Resonance
From the Archives
From May 2002
The Passenger
First published in May 2002, in issue 67 of frieze: Neville Wakefield on the work of Matthew Barney. A survey of 'Drawing Restraint', curated by Wakefield, is showing at Schaulager, Basel, until 3 October 2010.






















