Wrongly convicted of murder, the Los Angeleno was sentenced to death and spent 42 years incarcerated. His work often uses fabric quilting techniques he learned in prison
The Hammer Museum curator selects groundbreaking ceramics by Sharif Farrag and Rose B Simpson, and a painting by Roberto Gil De Montes he describes as “a delightful journey”
The artist reflects on art as medicine in our accelerated world, discussing her new body of rose-quartz sculptures and their “invisible ingredients” at Frieze Los Angeles 2024
Los Angeles's history of set design informs Art Production Fund’s “Set Seen,” with projects by Sharif Farrag, Ryan Flores, Derek Fordjour, Pippa Garner, Matt Johnson and Cynthia Talmadge
The birthplace of “California Cuisine” has also drawn countless artists to its tables, and their art to its walls, from Judy Chicago to Mary Weatherford
Experience the opening of Frieze Los Angeles at Santa Monica Airport, bringing together galleries, artists and non-profits to celebrate the city's diverse art scene
The Executive Chairman and Co-founder of cultural ecosystem Gold House selects a "Sisyphean" sculpture by Mire Lee, a bold striped ceramic panel by Park Seo-Bo and a piece by Gimhongsok evoking childhood
In partnership with Frieze Los Angeles, the California African American Museum Acquisition fund selects a ceramic sculpture by Mustafa Ali Clayton for the museum's collection
The artist spent 42 years in prison before his release in 2016, making the acquisition of his work In Memoriam of an Ashanti Warrior (2024) especially poignant
The Executive Director of LAND (Los Angeles Nomadic Division) selects a sculpture by Kelly Akashi for its tension and tenderness, James Perkins’ porous land art and a watercolor by Cameron to get lost in
The actor revels in the textural nuance of vanessa german’s rose-quartz sculpture, admires a photograph by Robert Mapplethorpe for its vulnerability and is reminded of his mother by Awol Erizku
The curator and founder of Del Vaz Projects chooses a remarkable Lee Bontecou, a mystical piece by Eugenia P. Butler and a work he says is “yearning and desirous to be encountered”
The home of Frieze Los Angeles was once coveredby an entire fake suburb created by Hollywood set designers: a deception that inspires this year’s Frieze Projects program, curated by Art Production Fund
Ten members of the renowned professional body choose works from the Frieze Viewing Room, including a sensational late 1960s Alma Thomas and an outstanding woven piece by Jeremy Frey
Three of the artist’s projects are presented at Santa Monica Airport—including a little-seen ’zine—exploring physical appearance, gender-hacking and consumer culture