Opinion

Showing results 41-60 of 707

Does the crowdfunding platform live up to its promise to ‘change the way art is valued?’

BY Kyle Chayka |

Emerging alternative spaces led by artists of colour leave a stagnant gallery system behind 

BY Ana Tuazon |

The gothic tales of notorious racist H.P. Lovecraft provide source material for HBO’s new show about ‘the hauntedness of Black life’

BY Ian Bourland |

The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic

 

BY John Menick |

How Spotify and YouTube gave rise to an indie pop ‘internet muzak’

BY Eli Zeger |

Revisiting the author’s prescient 'manifesto for a fair fight' - first published as an essay in 2014 - now out as a full-length book

BY Haley Mlotek |

The album is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness

BY Eric Otieno Sumba AND Nelly Y. Pinkrah |

Pop Smoke’s posthumous release is an authoritarian play on the senses

BY Aria Dean |

The artist’s far-seeing experiments with digital avatars and viral antibodies help us better understand ourselves

BY Jennifer Kabat |

It’s time to reckon with a US founding father who waged genocidal warfare against Indigenous nations 

BY Alan Michelson |

Coel's show ‘I May Destroy You’ daringly takes on the intricacies of sexual violence

BY Skye Arundhati Thomas |

Take advantage of 'crisitunities' to defend the rights of workers - or exploit them

BY Simon Denny AND Joanna Pope |

A work by Georg Herold at Frankfurt's Städel Museum causes a debate on art museum's authority to judge on issues of racism

BY Eric Otieno Sumba |

‘First Cow’, the director’s seventh feature film, which began streaming 10 July, offers a humanistic alternative to the grand myths of Manifest Destiny

BY Tausif Noor |

The musician remembers coming out in the aftermath of the Lebanese Civil War and the recent death of Egyptian queer activist Sarah Hegazi

BY Hamed Sinno |

A rarely seen documentary shows the UK's Black communities in the wake of two tragic incidences of police brutality towards unarmed Black mothers in 1985

BY Rianna Jade Parker |

Retro pleasures are a smokescreen that fails to conceal the painfully quick dismantling of institutions that have lasted centuries

BY Sarah Manguso |

Patriotic imagery and calls for ‘togetherness’ distract from grass-roots demands for systemic change

BY Orit Gat |

Describe a global crisis in 600 words? Too hard. But isn’t everything else irrelevant right now?

BY Elvia Wilk |