Opinion

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The opening of the Met Breuer signals opportunity and responsibility in equal measure

BY Evan Moffitt |

What does the future hold for art institutions? 

BY Max Andrews |

A new illustration by Pablo Helguera

BY Pablo Helguera |

One hundred years since the birth of dada, what does the future hold for Kurt Schwitters’s Merz Barn in Cumbria?

Dada's centenary and the importance of absurdity

BY Jennifer Higgie |

The enduring symbolism of a sewn mouth, from the works of David Wojnarowicz to recent protests by refugees

BY Olivia Laing |

Encounters with the late Chantal Akerman's films

BY Lynne Tillman |

Can private philanthropy help save regional British collections?

BY Richard Parry |

What do you call musicians who write about themselves? Common, apparently

BY Andrew Hultkrans |

What it's like to stand on the precipice of virtual reality

BY Alexander Provan |

As magic is the power to influence events, Bowie's power found a personal truth in millions of people, and moved them, even changed their lives 

BY Michael Bracewell |

How well do you remember 2015?

BY Tom Morton |

The new TV series Mr. Robot sees capitalism and schizophrenia through the mind of a hacker

BY Aaron Schuster |

What are the rights of artists when their work  is vandalized?

BY Daniel McClean |

Customized design in a time of fluid identities

BY Alice Rawsthorn |

Why theatre remains vital

BY Lynne Tillman |

Action art in Berlin’s government district, from Christoph Schlingensief to the Center for Political Beauty

BY Sarah Khan |

Raising questions about rising rents

BY Christy Lange |

What a WWI-era Jihadist newspaper can teach us about German orientalism

BY Slavs and Tatars |

On Spanish writer Enrique Vila-Matas’s recent novel set during dOCUMENTA (13)

BY Barbara Casavecchia |
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