Opinion

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How plants can help teach us to live ethically

BY Ellen Mara De Wachter |

What does ‘Chinese’ mean as an artistic category in Britain today?

BY En Liang Khong |

Connecting the dots between modern art and a collection of anatomical wax models in Florence

BY Ned Beauman |

The latest projects from the long-duration edition, including Lynda Benglis and Marvin Gaye Chetwynd

BY Valentina Sansone |

What the proposed closure of Museum Morsbroich tells us about cultural debate in Germany

BY Dominikus Müller |

The importance of an artist's biography

BY Jonathan Griffin |

Man Booker Prize winner László Krasznahorkai goes to China in search of sorrow and destruction in his latest book

BY Michael Barron |

Will brutalism’s greatest legacy be its influence on artists?

BY Chris Sharratt |

The psycho-geography of Aleppo as seen in Avo Kaprealian's film, Houses Without Doors

BY ​Timothy P. A. Cooper |

Why are psychologists watching disturbing video art?

BY Ned Beauman |

A new illustration by Monika Aichele

BY Monika Aichele |

What the re-creation of Palmyra's Triumphal Arch in New York and London says about shared cultural identities

BY Rahel Aima |

Political rhetoric in art schools, the refugee crisis and Germany's new far right

BY Jörg Heiser |

The term ‘outsider artist’ is tired – but it may soon take on new meaning 

BY Dan Fox |

How a photography course in Dhaka is challenging religious and artistic prejudices

BY Daniel Baumann |

Is a new greenhouse in Mexico a blueprint for the museum of the future?

BY Sam Thorne |

Can failure be the best way to understand something?

BY Matthew McLean |

A new collection of short stories by Maija Timonen asks: are we living in an age of emotional, as well as economic, austerity?

BY Houman Barekat |

Are designers of colour finally getting the recognition they deserve?

BY Alice Rawsthorn |

The attention-grabbing logic of online news coverage

BY Adam Kleinman |
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