Contributor
Andrew Durbin

Andrew Durbin is the editor-in-chief of frieze. His book The Wonderful World That Almost Was is forthcoming from FSG in 2025.

With ‘Men and Apparitions’ – her first novel to be published in the UK since 1999 – Tillman deep-dives into photography and its lovers

BY Lynne Tillman AND Andrew Durbin |

2020Solidarity/Between Bridges is selling artist-made posters to raise funds for the city’s beleaguered clubs, performers and organizers

BY Andrew Durbin |

Frieze magazine has been redesigned, beginning with our May/June issue

BY Andrew Durbin |

The artists, collectives, movements and tendencies that shaped art in the 2010s

The 2013 album is a compelling record of our collective fracturing 

BY Andrew Durbin |

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s

BY Andrew Durbin |

New arrangements of artists from across the planet emphasize broad concepts over tidier organizing principles 

BY Andrew Durbin |

Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world

BY Andrew Durbin |

Food is personal, and so is this issue – the first of frieze to focus on food’s aesthetic, sensorial, political and environmental role in contemporary culture

BY Andrew Durbin AND Evan Moffitt |

Remembering a poet who helped define a generation of American writers through his love of gossip, sex and art 

BY Andrew Durbin |

The duo’s latest installation at the Prada Foundation is an incomplete take on contemporary America

BY Andrew Durbin |

The disaster was not a ‘uniquely’ Soviet problem

BY Andrew Durbin |

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

BY Andrew Durbin |

In its final season, ‘Veep’ satirizes the heartless ambition driving US politics

BY Andrew Durbin |

Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.

BY Andrew Durbin |

The television show – the director’s first – is a sequel to his 1997 film of California queer disillusion, Nowhere

BY Andrew Durbin |

‘Gillen suggests that New York is less a place than it is an open-ended idea’

BY Andrew Durbin |

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

BY Andrew Durbin |

A group exhibition at Luisa Strina Gallery, São Paulo, explores invisible worlds that lie beneath and within us

BY Andrew Durbin |