From an exhibition of Francis Bacon’s ‘beasts’ to Terrence Malick’s film on the life of Christ, these are the top picks for the year

COVID-19 and Black Lives Matter were two of the major events that signalled the changes that may – and in many cases must – come next year

frieze editor Andrew Durbin speaks to the author about his new essay on Bollywood for the November/December issue

With ‘Men and Apparitions’ – her first novel to be published in the UK since 1999 – Tillman deep-dives into photography and its lovers

2020Solidarity/Between Bridges is selling artist-made posters to raise funds for the city’s beleaguered clubs, performers and organizers

Frieze magazine has been redesigned, beginning with our May/June issue

The artists, collectives, movements and tendencies that shaped art in the 2010s

The 2013 album is a compelling record of our collective fracturing 

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s

New arrangements of artists from across the planet emphasize broad concepts over tidier organizing principles 

Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world

Food is personal, and so is this issue – the first of frieze to focus on food’s aesthetic, sensorial, political and environmental role in contemporary culture

Remembering a poet who helped define a generation of American writers through his love of gossip, sex and art 

The duo’s latest installation at the Prada Foundation is an incomplete take on contemporary America

The disaster was not a ‘uniquely’ Soviet problem

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

In its final season, ‘Veep’ satirizes the heartless ambition driving US politics

Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.

The television show – the director’s first – is a sequel to his 1997 film of California queer disillusion, Nowhere

‘Gillen suggests that New York is less a place than it is an open-ended idea’