EU Reviews

In Rome, a group exhibition dedicated to immersive spaces encourages gleeful interaction inside the museum's walls

At Hamburger Bahnhof, Berlin, the artist’s UEFA-inspired film mixes balletic beauty with uncomfortable stereotypes

At Galerie Karin Günther, Hamburg, the artist’s minimal works embrace a phenomenological approach to artmaking

At Bernheim, Zurich, the artist’s alter-ego, Fatebe, confidently splits herself between time zones, cities and hemispheres

From Joan Semmel’s unflinching depiction of female sexuality to Atiéna R. Kilfa’s sharp reimagining of film noir techniques

At Den Frie, Copenhagen, the artist deconstructs the genre’s archetypes to disarming effect

At Fondation Pernod Ricard in Paris, David Douard curates a show featuring 13 artists that frames collective practice as something sticky and uneasy

At Moderna Museet, Stockholm, the artist’s sprawling retrospective celebrates self-proclaimed ‘sexual repulsives and freaks’

Her first solo exhibition in Europe since 1975 at Xavier Hufkens demonstrates that her paintings continue to challenge contemporary perceptions of sexuality and agency 

In a new exhibition at Perrotin, Paris, the artist's ethereal paintings lure the viewer into a realm of nostalgic escapism

At carlier | gebauer, Berlin, the artist’s solo exhibition requires viewer’s attentive engagement

At Galerie Hubert Winter, Vienna, the artist draws a line from the plantation to the stage

At Artium Museoa, Vitoria-Gasteiz, the artist continues to unravel and reformulate a body of work produced since the 1990s 

The show at Galerie Chantal Crousel in Paris is filled with motifs of choreographed movement and figures created from slashed lines

From the dark world of Pierre Huyghe’s AI installations to Silvia Rosi’s vibrant portraits of personal histories

At Collezione Maramotti in Reggio Emilia, the artist’s sumptuous portraits of Afro-Italian life probe questions of personal history, identity and nationality

At Lenbachhaus, Munich, the artist’s survey exhibition quickly shifts from utopia to dystopia

At CAC Passerelle, Brest, the artist showcases an archive that maps Arab and South Asian migration to Latin America and the Caribbean

Despite its range and sincerity, a group exhibition focusing on First Nations artists relies on outdated curatorial methodologies

At [tart vienna], the self-taught artist privileges free and direct expression over conservation and legibility