Harry Thorne

For our second report from BB10, ahead of its public opening tomorrow, a focus on KW Institute for Contemporary Art

Ahead of the 52nd edition of Art Cologne, your guide to the best shows to see in the city

Ahead of her presentation at Centre Pompidou in June, the artist and choreographer talks about slowness, detail and the anti-spectacular

Under a metahistorical guise, the filmmaking duo enact hidden tyrannies of the contemporary age

At Tallinn Art Hall, an international group show grapples with the problematics underlying the concept of national identity

Artists from the Baltic region navigate volatile pasts and precarious presents at Kiasma, Helsinki

Bielefelder Kunstverein, Germany

Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

On Donald Trump’s decision to withdraw the US from UNESCO

A report from the Lofoten International Arts Festival: ‘I Taste the Future’

Silberkuppe, Berlin, Germany

Kunstmuseum St. Gallen, Switzerland

A guide to the best projects included in Skulptur Projekte Münster 2017

The second of our editors’ first impressions from Kassel, Harry Thorne on the Neue Neue Galerie

X-ray records in the Soviet Union

A defence of naivety in the age of information

Clages, Cologne, Germany

The first in our series of reports from the Venice Biennale: the best of the National Pavilions in the Giardini

Ahead of Berlin Gallery Weekend, a guide to what to see across the German capital

The second in a series of our editors’ initial impressions from documenta 14 Athens, Harry Thorne on the Athens Conservatoire