Natascha Sadr Haghighian

From Anri Sala’s marbled explorations of divine time at Galerie Chantal Crousel, Paris to the first show dedicated to Wanda Czełkowska outside of Poland

From a Nicole Eisenman survey at Museum Brandhorst to new AI-generated paintings by WangShui at Haus der Kunst

In a film-worthy new memoir, the Berlin art dealer tells of success despite the odds – yet overlooks much

At an extraordinary press conference yesterday, some key clues were given away as to what to expect from the artist at Venice

Natascha Sadr Haghighian’s works record and refract the mechanisms of power

Institutional critique and collective authorship; money, fruit and Robbie Williams

Educating the educators, ivory tower activism and an enlightening visit to the zoo