Juliet Jacques

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Once dominated by sensational headlines and media hype, the competition now faces an existential question about its place in contemporary discourse

BY Juliet Jacques |

From a new collection of essays by Ta-Nehisi Coates to The White Pube’s literary debut, frieze editors choose the best books to sink your teeth into this season

BY frieze |

Amid rising political instability, practitioners are tackling working conditions and class relations with renewed urgency and determination

BY Juliet Jacques |

Minoru Nomatas paintings of fictional structures lament the buildings that embodied political movements striving for greater equality

BY Juliet Jacques |

Juliet Jacques revisits books, film and art which commemorate the 40th anniversary of the British miners’ strike and working class politics

BY Juliet Jacques |

A show at Auto Italia in London contains an archive of Ryszard Kisiel ‘Filo’, one of the first LGBTQ+ magazines in Central and Eastern Europe

BY Juliet Jacques |

The artist’s films at Focal Point Gallery, Southend-on-Sea, foreground trans and non-binary concerns while appealing to an audience beyond the community

BY Juliet Jacques |

Project Native Informant in London showcases feature-length films that illustrate the artist’s successful transition from a pornographic to dystopian cyberpunk aesthetic

BY Juliet Jacques |

A new show at Tate Modern reminds us of the impact she made and the possibilities she opened for other artists, from Marina Abramović to Brian Eno

BY Juliet Jacques |

From a rare display of works by Anna Mendelssohn at Whitechapel Gallery to Ellie Pratt’s distorted female portraits at South Parade

BY Juliet Jacques |

Based on first-person testimony, the experimental hybrid opera-film explores class, censorship and how conflict and trauma are depicted

BY Juliet Jacques |

The artist fluctuates between meditation and masochistic intensity at London’s Whitechapel Gallery

BY Juliet Jacques |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

From Howardena Pindell’s harrowing retrospective at Kettle’s Yard, Cambridge, to Garrett Bradley’s moving debut at Lisson Gallery, London

BY Sean Burns |

Artists and writers, including Huw Lemmey and John Smith, select their favourite programmes from the broadcaster’s history

At Sprüth Magers, London, the artist transforms the galleries into a labyrinthine changing room dripping with anticipation of future performances

BY Juliet Jacques |

Juliet Jacques speaks to the artist – currently the subject of ‘Introspective’, a 50-film survey at London’s ICA and Close-Up Film Centre – about humour and simplicity 

BY Juliet Jacques |

At Gasworks, London, the artist explores the possibilities that come with rejecting forms imposed by outsiders and creating our own

BY Juliet Jacques |

To coincide with an exhibition at Mimosa House, London, Juliet Jacques asks how we respond to influential but marginalized historical figures

BY Juliet Jacques |

From an unexpected exhibition of works by a Renaissance oddball at Ikon Gallery, Birmingham, to Ming Smith’s first UK solo show at Pippy Houldsworth, London

BY frieze |