Exhibition Reviews

Subscribe for unparalleled access to arts and culture insights, programme highlights from our international fairs, invites to Frieze membership taster events and more

Subscribe for unparalleled access to arts and culture insights, programme highlights from our international fairs, invites to Frieze membership taster events and more

Subscribe for unparalleled access to arts and culture insights, programme highlights from our international fairs, invites to Frieze membership taster events and more

Showing results 1-20 of 1192

At François Ghebaly, New York, the Iraqi artist’s cartoonish creations reckon with trauma and transformation

BY Andrew Woolbright |

At Kulturstiftung Basel H. Geiger, the artist brings together five decades of work exploring gender mutability and a sustained fascination with Asian cultural forms

BY Krzysztof Kościuczuk |

At Fondation Pernod Ricard, Paris, the artist’s sculptures grant everyday detritus improbable permanence as packaging and object converge with relic-like reverence

BY Ben Broome |

At Gratin, New York, her self-portraits mine trad wife tropes, subvert fatphobic stereotypes and pose questions about class

BY Kate Zambreno |

At NYU Abu Dhabi, the artist’s architectural models and research-driven collages reframe Arab modernity, treating the archive as a contested, living terrain

BY Aisha Zaman |

A blockbuster exhibition at NGV Melbourne pairs two of the 20th century’s most influential fashion designers. But do such singular iconoclasts belong together?

BY Sophia Cai |

In her debut UK institutional exhibition at the Hepworth Wakefield, the artist presents diaphanous congregations engaged in acts that resist easy interpretation 

BY Melissa Baksh |

At Modern Art’s new space, the artist unveils paintings of isolated film stills, presented as evidence yet marked by omission

BY Annabel Downes |

At Telegraph Gallery, Olomouc, three artists turn to the socialist female service class to explore nostalgia as a feminist issue rather than a retro aesthetic

BY Sonja Teszler |

For his first institutional exhibition, at Deurle’s Museum Dhondt-Dhaenens, the artist presents energetic, hand-worked canvases, joyfully probing paint’s physical limits

BY Billy De Luca |

At Greene Naftali, New York, the artist’s canvases underscore the difference between prompting and painting

BY Dena Yago |

The Museum of Mexico City group exhibition highlights artists using aesthetics to hold their governments accountable

BY Geoffrey Mak |

A survey of her paintings at Turner Contemporary, Margate, shows the consistency of her vision but reveals nothing new about the nonagenarian artist

BY James Cahill |

At Kettle’s Yard, Cambridge, the artist’s survey blends playful performance and video art with subtly political, participatory installations

BY Reuben Esien |

At Nasjonalmuseet, Oslo, a thoughtful pairing of historical artefacts and contemporary works reveals how faith, cultural belonging and queer identity intersect in unexpected ways

BY Nicholas Norton |

At Tanya Leighton, Berlin, the artist’s monumental paintings fuse musical notation, self-portraiture and colour-field intensity

BY Louisa Elderton |

At Hollybush Gardens, London, the Turner Prize winner works with commonplace items to reveal how histories and narratives are constructed, circulated and socialised

BY Nathalie Olah |

At King’s Leap, New York, the artist presents erotic sculptures that evoke cages, safes and battering rams

BY George Egerton-Warburton |

At Dundee Contemporary Arts, the artist turns geology, myth and agricultural memory into a sculptural landscape that exposes the urgencies embedded in Tayside’s terrain

BY Lisette May Monroe |

Working at the threshold of disappearance, the artist’s paintings at Indipendenza, Rome, depict bodies flickering between presence and phantasm

BY Hindley Wang |