Literature

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Other highlights include an epistolary novel by Hannah Regel and the indie horror film 'I Saw the TV Glow'

BY Chloe Stead |

At the Hepworth Wakefield, the artist’s large-scale compositions and intimate miniatures on book covers conjure a subtle and imaginative realm

BY Rowland Bagnall |

To celebrate the recent release of her memoir, The Lives of Artists, the author shares a list of literary works that have inspired her

BY Susan Finlay |

Ahead of the release of her new memoir, The Light Room, the author shares a list of the literary works that have inspired her

BY Kate Zambreno |

Released this month, Jhumpa Lahiri's new book explores her relationship with the Italian language as a writer and translator

 

BY Anandi Mishra |

In three stories, the German filmmaker and writer bears witness to the tentativeness of history

BY Alexander Kluge |

The author of Glitch Feminism on correcting the cyberfeminist canon, the Black trauma at the root of memes and why online space is still ‘real’

BY Momtaza Mehri AND Legacy Russell |

The authors discuss diary-keeping, photography and motherhood

BY Moyra Davey AND Kate Zambreno |

Before Twitter, Félix Fénéon’s daily ‘novels in three lines’ made a literary art form of current affairs

BY Francesca Wade |

Juliet Jacques speaks to the pioneering writer and theorist about her new book, ‘Reverse Cowgirl’, an ‘auto-ethnography’ of the self

BY Juliet Jacques |

Wandering Munich with the graphic designer Anna Lena von Helldorff, the author wonders what it means when time constantly overtakes us

BY Heike Geissler |

The translator of the Nobel Literature Prize winner on jet lag, death threats and insomnia in Poland

BY Jennifer Croft |

The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters

BY Aaron Peck |

Nina Leger, Jenny Hval, Elvia Wilk and Sophie Mackintosh offer an eerie counterpoint to the traditionally male-dominated genre of weird literature

BY Gabriella Pounds |

In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly

BY Steven Zultanski |

In the Dream House grapples with the ‘bad PR’ of an abusive queer relationship

BY Bryony White |

Our lives – like menus – are an assortment of so-called ‘choices’

BY Lynne Tillman |

The newly reissued novel maps the intimate spatial connections between fascism and patriarchy in postwar Austria

BY Matthew Turner |

Three new novels – by Annie Ernaux, Vigdis Hjorth and Ocean Vuong – attempt to salvage something from painful intimate memories

BY Eloise Hendy |

In ‘Coventry’, events seem to happen to somebody else, to a person Cusk repeatedly exposes and judges

BY Brian Dillon |