Opinion

Showing results 1841-1860 of 2451

Movie stars, late capitalism and fragmented attention spans

BY Tom Morton |

Is too much information ever enough?

BY Lynne Tillman |

The films of Abderrahmane Sissako

BY Sean O'Toole |

Gilda Williams’s new book on how to write about contemporary art

BY Orit Gat |

What the story of El Greco tells us about how art history is made

BY Jennifer Higgie |

Can’t relate? Don’t worry: you’re not alone

BY Dan Fox |

Who should the internet serve?

BY Stephanie DeGooyer |

‘Pop today is a broad church, but no one would ever argue that it’s not fun’

BY Dan Fox |

New technology and endangered objects

BY Alice Rawsthorn |

Kazimir Malevich, who is the subject of a retrospective at Tate Modern, London, is generally considered a difficult mystic 

BY Noemi Smolik |

On good translations and difficult texts

BY Jan Kedves |

Two new books offer a deeper insight into the works of H.R. Giger, who died in May

BY Jörg Scheller |

A novelist’s thoughts on e-books and the future of publishing

BY David Wagner |

An art education — at what cost?

BY Vivian Sky Rehberg |

Lady adventurers and the legacies of colonial history

BY Kaelen Wilson-Goldie |

How to Write about Africa

BY Sean O'Toole |

In defence of irony

BY Lynne Tillman |

Pressed by the increasing need to generate diverse streams of income, UK art organizations turn to crowdfunding

BY Ellen Mara De Wachter |

Why start a print magazine?

BY Elizabeth Glickfeld |
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