계정
Interventions in Bucharest's history of state bureaucracy and brutalist architecture
Polystyrene and post-minimalism; industrial processes and the ‘skin’ of amorphous forms
Redmond Entwistle on the making of Walk-Through (2012), a film about Michael Asher’s ‘Post-Studio’ class at CalArts.
Melancholy and entropy haunt the French artist’s films and photographs
Newsrooms, agitprop theatre and the‘living newspaper'
How a monumental ruin is turned into gravel, in the Brazilian artist’s show ‘Dois Reais’ (Two Reals, 2012)
The Finnish artist’s subtly transgressive video performances
The language of cinema and the psychology of sculpture
The London-based artist’s recent performance work
Comic books and identity; innuendo and homoerotic iconography
The authentically real and the profanely cheap; ‘sperm, gold, money, black holes ... ’
Celebrity culture, film studio design and the Hollywood dream
Bodily incursions, surgical violence and an ‘uncommon sense of objecthood’
Early 20th-century literary characterization; imagination, action and agency
Tropical Modernism and the ‘potential of nostalgia’; photographs, prints and new layers of memory
Community organizing and AIDS activism; ‘Full Body Quotation’ and party hosting
Documentary films and sci-fi encounters; assumption, truth and magic
Symmetry, distance and intimacy; poetry, concrete and grass
Luxury consumption and low-cost production; labour, exchange, weight and money
The land and the sea; the mapping of clandestine journeys; the intertwining of personal stories and politics
