계정
A force in the late ’80s and ’90s, the photographer and critic receives her first solo show in over 22 years at Autograph, London
The rising star’s stand-up special My Favorite Shapes and show Los Espookys, both on HBO, filter the politics of immigration through magical realism
Abidi’s comic, deflationary videos undercut the pomp of state politics
‘Queer Spaces’ at Whitechapel Gallery documents the disappearance of many of London’s LGBTQ+ venues
Wesselmann’s sculpture attempted ‘to pick up a drawing by its lines and carry it’ into the world
At Ujazdowski Castle, Warsaw, Simon’s art is a prescient critique of art-making itself
The influence of op art leaves scant trace of the artist’s hand, but otherworldly unease pervades his repetitions and reflections
The Belgrade-born sculptor developed a language that acknowledged a world in flux
In Rezaire’s work, prehistoric West African landmarks stand for enigmas of the past and future
Considering our scripted future at Helsinki Contemporary
The most complex question the director asks is why not just beat up the bad guys
Amid widespread civil unrest, a timely show at Para Site speculates on the future of labour and politics in our technological age
At the Museum of Art and Design at Miami Dade College, ‘Where the Oceans Meet’ looks at the ‘creolizing’ of cultural influences across continents through the lens of Édouard Glissant and Lydia Cabrera
Diana Hamilton reflects on the dual urges to be beautiful and well-reviewed – even when you want to reject both desires
The artists in ‘Time Forward!’ at the V-A-C Foundation in Venice speculate on what the future might bring
At SFER IK in Tulum, Mexico, Mayan architecture and site-specific exhibitions propose a ‘return’ to nature
A show at Gagosian, London, pairs the pop master with the early twentieth-century eccentric, beloved of Duchamp
The late artist rejected state censorship while presaging our image-saturated age
Shamefully, the artist was not awarded a solo show in the art-world capital until six years after his death
Though it tactfully sidesteps the real politics of housing, ‘Landlord Colors’ offers an alternative model to the ‘development biennial’