Contributor
Rainer Diana Hamilton

Rainer Diana Hamilton is the author of God Was Right (2018) and The Awful Truth (2017).

A new collection of Kevin Killian’s product recommendations is a masterclass in the craft 

BY Rainer Diana Hamilton |

The author's metafictional exploration of the romance genre is a satisfying act of sublimation for both narrator and reader

BY Rainer Diana Hamilton |

By focussing on the artist’s serial drawings, the exhibition goes to great lengths to unburden O’Keeffe of her sensual associations

BY Rainer Diana Hamilton |

The photographer recalls her experiences working undercover, and how they informed her art practice

At Lévy Gorvy, New York, the painter reinscribes the female gaze into art history

BY Rainer Diana Hamilton |

The artist’s show at Tramps, New York, asks if we’re too eager for young artists to self-destruct

BY Rainer Diana Hamilton |

Wolfson believes art has no relationship to ethics; after a decade of shock, it’s hard to take him seriously

BY Rainer Diana Hamilton |

In a new show, Sze pairs precision with nods to disassembly or messy composition

BY Rainer Diana Hamilton |

Artist Candice Lin connects the conditions of slave labour involved in building the drug trade’s infrastructure to the continued Orientalizing representations of the drugs themselves

BY Rainer Diana Hamilton |

Diana Hamilton reflects on the dual urges to be beautiful and well-reviewed – even when you want to reject both desires

BY Rainer Diana Hamilton |

In her solo show at Galerie Eva Presenhuber in New York, the artist’s precision leaves all possible disorder to signification

BY Rainer Diana Hamilton |

In her new memoir, the poet asks whether art has a purpose beyond representation

BY Rainer Diana Hamilton |

This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.

BY Rainer Diana Hamilton |

An exhibition at Essex Street, New York, shows how closely Hill’s literary and artistic work is linked to her critique of domesticity

BY Rainer Diana Hamilton |

At Karma, New York, the artist herself becomes ‘a reproductive medium’, revisiting natural subjects and bringing realism ever closer to abstraction

BY Rainer Diana Hamilton |

Comic book images of female vulnerability become symbols of liberated sexual energy at Anton Kern Gallery, New York

BY Rainer Diana Hamilton |