Mike Nelson

Considering this year’s title, ‘Foreigners Everywhere', we look back at how artists have addressed entrenched ideas of nationhood with bold, and at times comical, interventions

From a posthumous Martin Wong retrospective in Camden to Matthew Arthur Williams’s sensitive debut in Dundee 

Two decades of the fair in moments, according to Cory Arcangel, Steven Cairns, Lubaina Himid, Mike Nelson, Sarah McCrory and others

From Celeste Rapone's evocation of not-so-blissful domesticity at Josh Lilley, London, to Leo Robinson’s dense webs of allusion and appropriation at Chapter, Cardiff 

From Sonia Boyce’s triumphant Venice installation at Turner Contemporary, Margate, to an exhibition that channels artists’ spiritual relationship with nature at Modern Art, London

The artist discusses his first survey, at Hayward Gallery, London, which ambitiously reconfigures his acclaimed spaces and sculptures

Curated by Defne Ayas and Natasha Ginwala, this year’s edition explores transnational kinships and inherited healing practices to commemorate the 40th anniversary of Gwangju May Uprising

In spite of being one of London’s oldest artist-run spaces, its spirit remains young

‘The Asset Strippers’, at Tate Britain’s Duveen Galleries, turns the museum’s elegant sculpture court into a salvage yard

Ahead of this year’s DC Open and gallery share Okey-Dokey, a round-up of the best shows across the Rhineland cities

The Baltic Centre for Contemporary Art inaugurates its biennial artists’ award with a show marked by the idea of transference

At Galleria Franco Noero, Turin, Italy, the artist is taking on the history of a country and questioning the present

The artist rebuilds a former cabaret theatre at Gartenstraße 6, Berlin, into a labyrinth of dust and spotlight, in his new workshop space that saw (platform for a performance in two parts)

In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them

Mike Nelson to represent Britain at the 54th Venice Biennale

The artist is taking over New York's Building D on Essex Street Market, with his new installations that resemble a horror story