Exhibition Reviews

Showing results 481-500 of 1087

At Museum MACAN, Jakarta, the artists’ large-scale installations made of discarded objects capture the emotional resonances of overlooked communities

BY Hilary Thurlow |

At the Badischer Kunstverein, the artist explores the transformative potential of seemingly unassuming actions

BY Ben Livne Weitzman |

At Helena Anrather, New York, the artist’s sculptures, photographs and video work document the surviving architecture of a less gentrified Lower Manhattan

BY Will Fenstermaker |

At The Modern Institute, Glasgow, an exhibition filled with religious symbolism feels curiously shallow

BY Helen Charman |

At Kunsthalle Basel, the artist’s solo exhibition invokes state and corporate power as both literal and figurative ills

BY Evan Moffitt |

In a retrospective at Museo de Arte Moderno de Bogotá, the artist’s brutal visions of his homeland’s history are juxtaposed with sometimes too-safe curatorial decisions

BY Jennifer Burris |

In ‘L’être, l’autre et l’entre’ at Palais de Tokyo, Paris, the artist weaves together human and cosmological in-betweens

BY Zoë Hopkins |

At P.P.O.W, New York, the artist presents drawings, sculptures and installations created from the material and spiritual detritus of his Massachusetts hometown

BY Adriana Blidaru |

At Galerie Molitor, Berlin, a posthumous exhibition dedicated to the artist shows a selection of her cut-out canvases from the 1970s

BY Talia Kwartler |

The artist fluctuates between meditation and masochistic intensity at London’s Whitechapel Gallery

BY Juliet Jacques |

At Fondazione Memmo, Rome, the artist’s new video reaffirms their identity outside of socialized norms and constructs

BY Nadia Egan |

At The Approach, London, the painter brings domestic scenes and transient recollections into the light

BY Finn Blythe |

From Alexander Tovborg’s spiritual yearning to collective mythologies as told by Miralda

BY frieze |

A survey of the artist’s revolutionary drapo flag-making at the Fowler Museum at UCLA situates her within the canon of her craft and country

BY Vittoria Benzine |

At Eva Presenhuber, Zurich, the artist’s solo exhibition takes viewers from the desert into the jungle via the ocean

BY Mitchell Anderson |

The first major US survey of the artist’s work at the Center for Curatorial Studies, Bard College, is a joyful display of her syncretic ways of making

BY Mariana Fernández |

At KIN, Brussels, the artist’s androgynous figures are trapped in a state of leisurely calm 

BY Emile Rubino |

An exhibition of video work at MoCA Taipei highlights the affinities between the regions but also the logistical hurdles that prevent full reciprocal exchange

BY Christopher Whitfield |

At SAVVY Contemporary, Berlin, ‘Conspicuous Invisibility’ examines the perceptions of identity, history and the African diaspora

BY Edna Bonhomme |