Grace Weaver

From Grace Weaver's brazen female travellers at Max Hetzler, Paris, to an extensive retrospective of Emilio Prini's dematerialized practice at MACRO, Rome

The unfazed female figures in the artist’s ‘Hotel Paintings’ may be viewed as a playful act of self-satire

At James Cohan, New York, a suite of new paintings harken back to the chaotic pre-COVID streets