계정
An exhibition at Platform Southwark, London, celebrates the legacy of the radical drag theatre company
A new show at Richard Saltoun begs the question – how effective is self-inflicted violence?
The provocative New York performance artist talks about her influences – from surfing to Jack Smith
Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority
An exhibition at Index, Stockholm, fuses activism, queer performance and pop music
Linder’s ‘Full Service’ at MUDAM, Luxembourg, enacts a clever service economy between performer, viewer and museum
In their latest production at Munich’s Kammerspiele, the Berlin-based experimental trio give an ‘actroid’ a starring role
The performances have been devised in collaboration with Delfina Foundation’s Aaron Cezar
‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart
At Amsterdam’s Stedelijk Museum, Rizzo’s performance ‘Higher.xtn’ unpicks the communal politics of the dance floor
This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.
The late Brazilian artist’s retrospective at the Museum of Modern Art, Rio de Janeiro, is a delicate exploration of his multi-faceted practice
From the effects of the economic crisis on art to the power of public participation and the most innovative non-profit spaces across the city
The RU.in.ART commission at Frieze Los Angeles channels the history of Californian performance into a celebration of the present moment
In world first, the artist plans to harness the power of ‘Magic Leap One’ technology, and is encouraging others to join her
‘I held (and hold) his ideas and ethics like a compass’
In a recent performance at Kunstmuseum Basel, the artist demonstrates an impressive control of hysteria and hesitancy
Partnership between Frieze and Singapore Tourism Board brings a free, public discussion to Singapore Art Week 2019
Major new volumes by curators RoseLee Goldberg and Catherine Wood document contemporary art’s most rambunctious medium
I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa
