US Reviews

Showing results 21-40 of 286

Overtaking two of Matthews Marks Gallery’s New York locationsher installations explode stale hierarchies of taste

BY Wendy Vogel |

In her exhibition at Management, New York, the artist presents a dissolving model city with an uncertain afterlife

BY Annabel Keenan |

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

BY Ana Vogelfang |

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

BY Vanessa Holyoak |

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

BY Geoffrey Mak |

Riffing on a technology trade fair, the artists show at Reena Spaulings Fine Art, New York, suggests that whats onscreen doesnt matter

BY Jeppe Ugelvig |

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

BY Sarah Lehrer-Graiwer |

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

BY Cassie Packard |

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

BY Claudia Ross |

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

BY Joseph Akel |

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

BY Zoë Hopkins |

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

BY Cat Kron |

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

BY Marko Gluhaich |

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

BY Jessica Simmons-Reid |

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

BY Madeleine Seidel |

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

BY Chris Murtha |

A group show at the Institute of Contemporary Art, Los Angeles provides vital context for the continuous battles over bodily autonomy

BY Grace Byron |

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

BY Simon Wu |

The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to consider the state of his motherland

BY Murtaza Vali |

In the Indigenous artist’s performance-packed exhibition, power comes from celebrating difference

BY Jesse Dorris |