US Reviews

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

At MOCA GA, the artist's sculptures adapt Kente cloth as a framework for pan-Africanism

From a survey of African fashion at the Brooklyn Museum, New York, to Florian Krewer’s animalistic oil paintings at Aspen Art Museum

At the Brooklyn Museum, New York, more than 300 items from 1950 to present day capture the global impact of artists from the continent

At Night Gallery, Los Angeles, claustrophobic paintings of horse races meditate on risk, desire and control

Inspired by Mesoamerican culture and Mexican modernism, the artist’s materially lush sculptures and drawings aspire to a time beyond geopolitical violence

At The Arts Center at Governors Island, New York, the artist presents installations that induce an embodied reflection on immigration and national identity

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work

At Jack Shainman Gallery’s The School, New York, a pioneer of 1960s avant-garde film is remembered for his more contemporary works

At Helena Anrather, New York, the artist’s sculptures, photographs and video work document the surviving architecture of a less gentrified Lower Manhattan

In a retrospective at Museo de Arte Moderno de Bogotá, the artist’s brutal visions of his homeland’s history are juxtaposed with sometimes too-safe curatorial decisions

At P.P.O.W, New York, the artist presents drawings, sculptures and installations created from the material and spiritual detritus of his Massachusetts hometown

A survey of the artist’s revolutionary drapo flag-making at the Fowler Museum at UCLA situates her within the canon of her craft and country

The first major US survey of the artist’s work at the Center for Curatorial Studies, Bard College, is a joyful display of her syncretic ways of making

At the Swiss Institute, New York, Jac Leirner's sculptures and installations of discarded objects suggest the unseen exchanges of everyday life

At the Walker Art Center, Minneapolis, the artist’s works are simultaneously maps, bodies and repositories

An untitled exhibition at The Renaissance Society, Chicago, explores the friction between the artworld’s emphasis on in-person experience and its dependence on mediation 

At his studio in Long Island City, New York, the artist presents a multi-channel film that unspools surreally out of a 1978 NFL disaster

A survey at The Broad, Los Angeles, balances the artist’s claims of universality with an acknowledgement of his freewheeling appropriation

From a group show of funky ceramics at The Museum of Arts and Design, New York, to Richard Mosse at Altman Siegel and Minnesota Street Project Foundation, San Francisco