US Reviews

Showing results 121-140 of 286

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

BY Claudia Ross |

At MOCA GA, the artist's sculptures adapt Kente cloth as a framework for pan-Africanism

BY Leia Genis |

From a survey of African fashion at the Brooklyn Museum, New York, to Florian Krewer’s animalistic oil paintings at Aspen Art Museum

BY frieze |

At the Brooklyn Museum, New York, more than 300 items from 1950 to present day capture the global impact of artists from the continent

BY Mebrak Tareke |

At Night Gallery, Los Angeles, claustrophobic paintings of horse races meditate on risk, desire and control

BY Clare Gemima |

Inspired by Mesoamerican culture and Mexican modernism, the artist’s materially lush sculptures and drawings aspire to a time beyond geopolitical violence

BY Armando Pulido |

At The Arts Center at Governors Island, New York, the artist presents installations that induce an embodied reflection on immigration and national identity

BY Jasmine Liu |

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work

BY Evan Moffitt |

At Jack Shainman Gallery’s The School, New York, a pioneer of 1960s avant-garde film is remembered for his more contemporary works

BY Terence Trouillot |

At Helena Anrather, New York, the artist’s sculptures, photographs and video work document the surviving architecture of a less gentrified Lower Manhattan

BY Will Fenstermaker |

In a retrospective at Museo de Arte Moderno de Bogotá, the artist’s brutal visions of his homeland’s history are juxtaposed with sometimes too-safe curatorial decisions

BY Jennifer Burris |

At P.P.O.W, New York, the artist presents drawings, sculptures and installations created from the material and spiritual detritus of his Massachusetts hometown

BY Adriana Blidaru |

A survey of the artist’s revolutionary drapo flag-making at the Fowler Museum at UCLA situates her within the canon of her craft and country

BY Vittoria Benzine |

The first major US survey of the artist’s work at the Center for Curatorial Studies, Bard College, is a joyful display of her syncretic ways of making

BY Mariana Fernández |

At the Swiss Institute, New York, Jac Leirner's sculptures and installations of discarded objects suggest the unseen exchanges of everyday life

BY Maddie Hampton |

At the Walker Art Center, Minneapolis, the artist’s works are simultaneously maps, bodies and repositories

BY Simon Wu |

An untitled exhibition at The Renaissance Society, Chicago, explores the friction between the artworld’s emphasis on in-person experience and its dependence on mediation 

BY Lisa Yin Zhang |

At his studio in Long Island City, New York, the artist presents a multi-channel film that unspools surreally out of a 1978 NFL disaster

BY Brecht Wright Gander |

A survey at The Broad, Los Angeles, balances the artist’s claims of universality with an acknowledgement of his freewheeling appropriation

BY Jonathan Griffin |

From a group show of funky ceramics at The Museum of Arts and Design, New York, to Richard Mosse at Altman Siegel and Minnesota Street Project Foundation, San Francisco

BY frieze |