Frieze Connect Member Spotlight: Saleign (aka Chae Ryoung Yoon)

As an illustrator, I reinterpret the intricate beauty of aged, timeworn ideas into delicate, fine-lined illustrations. I’m inspired by the magnificence and dignity of craftsmanship, and by richly layered narratives rooted in keen observation and materiality. Like weaving a piece of fabric, I interlace philosophical depth and emotion into each detailed drawing. With my pen as a lance and digital and physical colour as my armour, I explore diverse themes and projects on my artistic journey.

1. Describe yourself in three words? 

Storyteller, Collector, Scholar. 

2. What’s your proudest moment? 

One of my proudest moments was giving art talks about my work and aesthetics in Dubai. After participating in World Art Dubai as a Korean artist, I began sharing my artistic philosophy with audiences from diverse cultural backgrounds. I structured my talks around my creative process, personal philosophy, and how we—as collectors and observers—can meaningfully contribute to the world of art. The Middle East is becoming an increasingly dynamic hub for contemporary art, and I was honored to be part of that growing movement. 

3. Art icon? 

Daria Song, the illustrator, is a role model in my artistic journey. She gained international recognition through her coloring books and went on to collaborate with various brands. As both a mother and a passionate artist, she offered me valuable insights into how I could sustain a creative life—even ten years down the road. There aren't many widely known women artists around my age, so discovering her work and story gave me hope and inspiration for how I might grow, both as an artist and as a person. 

4. Hidden gem in your city? 

In Seoul, my favourite hidden gem is Jongno 3-ga. It’s home to Jongmyo Shrine, where the ancestors of the Joseon Dynasty are honoured, and the area is surrounded by charming cafés nestled along the old palace walls. I love watching the changing weather and how the sky shifts in colour above the ancient stones. 

There’s also a jewellery district in Jongno that I find particularly special. You can buy ready-made pieces or design your own. I often sketch designs after choosing gemstones, then have them crafted into custom silver or gold jewellery. It’s such a satisfying and aesthetically enriching experience—I highly recommend it to fellow Seoulites. Jongno isn’t just about diamonds; it’s full of vibrant coloured gemstones too. Try creating your own gemstone parure there and bring your own colours to life. 

5. Favourite restaurant? 

This is a hard question—but I’d have to say Mongjungheon, a dim sum restaurant in central Seoul. It’s where I go when I feel like treating myself to something special, and it’s also my go-to place to celebrate with friends. The prices are reasonable, and every dish I’ve tried has been perfectly delicious. 

6. Song you can listen to on repeat? 

Neapolis, originally by Luciano Pavarotti and covered by the Korean tenor group Fortena, is a song I can listen to on repeat. Its soaring notes feel like a moving eulogy, filling me with energy and joy. It turns even the simplest routines into something worth celebrating. 

7. Exhibition you’re excited to see (or have seen)? 

First, Daria Song’s solo exhibition in 2023 left a deep impression on me. Her intricate pen-based illustrations challenge the trend of simplification in the art world. Rather than following minimalism, she proves that richly detailed work can resonate globally and stir powerful emotions among illustrators. 

Second, I had the honor of being invited to Saudi Arabia in 2023 as a representative artist for the KSA-ROK cultural exchange program hosted by the Royal Institute of Traditional Arts. While in Riyadh, I visited the National Museum of Saudi Arabia. The experience was eye-opening. The exhibitions offered a completely different worldview shaped by the region’s history and religious context. I truly believe that visiting the Middle East is essential for anyone looking to expand their understanding of global art and culture. 

Lastly, I’m looking forward to The Art of Jewellery exhibition at the Lotte Museum in 2025. Featuring pieces collected by a Japanese collector, it traces the evolution of beauty through jewellery—from ancient adornments to Art Nouveau and Art Deco masterpieces. These stunning works not only dazzle the eye but also reveal the cultural significance of ornamentation throughout history. 

8. A skill you’re working on mastering? 

One skill I’m working on mastering is lecturing. I travel to Dubai once or twice a year to give a series of art talks—usually around three sessions per trip. As someone with a background in philosophy, I aim to share deeper perspectives on art, touching on topics like art ethics, our relationship with nature, and the philosophical foundations of creative practice. 

I hope my talks can inspire not only artists and collectors, but also young audiences, contributing to a broader and more thoughtful art discourse in Dubai. Creating art and delivering lectures are two very different disciplines, and I’m still learning how to bridge them effectively. In my talks, I cover the ideas behind my work, the philosophies that guide me, and current issues in the art scenes of both the West and Northeast Asia. 

Dubai’s art scene reminds me of Korea’s about 10 to 15 years ago—rapidly evolving with great potential. I hope it continues to grow in meaningful, ethical directions, and I’m grateful to be part of that journey. 

9. A memorable place? 

One of the most memorable places for me is the Dubai World Trade Centre, where World Art Dubai is held. From installation to dismantling, I spent hours in Zabeel Hall, taking in every detail of the space. I can still picture the height of the walls and the feel of the floors. It was where I made my debut in Dubai’s art scene—an experience I’ll never forget. 

10. Favourite museum? 

It’s hard to name just one. My favorite museums are often the small, unexpected ones I stumble upon while walking down a street. The ones you don’t plan to visit often turn out to be the most memorable. 

11. Artist you’re currently thinking about? 

Kim Jeonghwa, an embroidery artist I’ve collaborated with, is someone I’m currently thinking about. She works in both Western and traditional Korean embroidery, and excels in blending the two. She’s constantly exploring how to bring them together while still honoring the distinct beauty of each. I’m truly curious to see how her practice evolves and what she’ll create next.