계정
Amid various exhibitions, CONDO returns to the capital after a four-year hiatus to promote international collaboration between galleries
At the Hepworth Wakefield, the artist’s large-scale compositions and intimate miniatures on book covers conjure a subtle and imaginative realm
The artist’s survey at the Courtauld Gallery in London skillfully challenges tradition to establish a complex depiction of Black subjects
The works at PACE in London skillfully blend Slavic folklore’s playful deities with sweeping landscapes to interrogate the representation of women
In Margate, a group exhibition ‘edited’ by the artist evokes a pervasive mood of dread surrounding class and capitalism
From a posthumous Martin Wong retrospective in Camden to Matthew Arthur Williams’s sensitive debut in Dundee
The artist’s personal and artistic roots are intertwined within a primordial landscape at MASSIMODECARLO in London
At Maureen Paley, London, the artist’s enticing micro-landscapes examine the results of humanity’s interference with ecology
From Richard Prince’s nightmarish appropriations at Gagosian to Lisetta Carmi’s recently rediscovered photographs at Estorick Collection
A show at Alison Jacques highlights the artist’s technical prowess and use of colour, but lacks critical discussion of her processes
An exhibition at Gagosian in London unearths a deathly yet exultant quality in the artist’s early photographic works
A new film at The Showroom in London unravels a complex and vital history, but covers too much ground
At Eastside Projects, Birmingham, the artist and their collaborators create an intricate labyrinth of video games, alien pods and fungal species
A group show at Stephen Friedman Gallery’s new spaces celebrates animalism, originality and freedom
At Chisenhale Gallery in London, the artist explores the disquieting potential of waiting rooms, doctors' offices and sickbeds
At its best, the artist’s London survey is a ferocious display of courage, while at its worst, it feels like a tribute act
At Soft Opening, London, Hendrickje Schimmel challenges linear constructs of creation and usage by manipulating end-of-life materials
Ireland’s biennial of contemporary art delicately weaves weighty issues into Limerick’s surroundings
At White Cube Mason's Yard, the artist’s latest film is a Kafkaesque vision that may leave you pining for the exit
From the peat of the Scottish hill-tops, the artist embraces a material language of ritualism and transformation
