Exhibition Reviews

Sam Bardaouil and Till Fellrath channel private and social longing, curating a show that shines most when engaging with the Taipei Fine Arts Museum’s collection

At Sadie Coles HQ’s new Savile Row gallery, the artist’s subjects gather in smoke-filled bars and boxing rings, their gazes unwavering, their power unmistakable

At DOOSAN Gallery, Seoul, a two-artist show about inheritance opts for connection over closure

Uniting 50 female artists across the MENA region, ‘Horizon in Their Hands’ explores how craft became a form of artistic liberation

At Centro Botín, Santander, an expansive installation traces coastal histories, echoing the losses wrought by extraction, commerce and industry

Her retrospective at the Art Institute of Chicago highlights politically transformative relationships between Black women

At Temple Bar Gallery + Studios, the work follows an Irish Nigerian driver’s extraordinary night-time trip through the streets of both cities

Bernardo José de Souza’s exhibition turns outer space inwards, building an environment where desire resists the pull of power

The hit-and-miss retrospective at Fondation Beyeler is a shallow reflection of the ‘Infinity Rooms' artist's depths

‘The Three-Legged Cat’ reimagines the biennial format as a site of slow repair, touching on resilience and futurity

At the Hammer Museum, Los Angeles, a themeless biennial engages with local realities of gentrification and loss

His show at the Morris and Helen Belkin Art Gallery in Vancouver treats the suspension of time as a test of endurance

At P420, Bologna, a group show featuring artists across four continents transforms acts of looking into gestures of empathy, urging us to pause and re-examine the world around us

At White Cube Paris, the artist combines domestic forms with eerie, David-Cronenberg-esque human figures to create surreal, haunting objects

Beneath the Turkish city, the French artist unveils responsive sculptures in wax and molten metal, works that breathe with visual pleasure and material wit

Led by artistic director Philippe Parreno, the fourth Okayama Art Summit is strange, beautiful and often off-putting

At Kunstmuseum Basel, a group show charts 250 years of Western art’s fascination with the uncanny

At Victoria Miro, London, a multi-screen installation offers new, alternative perspectives on a 110-year-old film

At CIRCUIT Centre d'art contemporain, Lausanne, she retools modernist furniture into a vehicle for care, desire and vulnerability

Her sumptuous works at the San Francisco Museum of Modern Art are unified by a propulsive, blooming quality