Issue 41
Jun - Aug 1998
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From this issue
Reviews
The Real Thing

Behind the renewed interest in Performance Art lies a desire to bring the real and the representation closer together

BY Frazer Ward |
Interviews
Bad Meaning Good

An interview with Jonathon Green

Frieze
Dot Gain

The meaning of the dot

BY Michael Horsham |
Features
Handled With Care

Jim Isermann

BY Rhonda Lieberman |
Features
Planetary Folklore

The legacy of Victor Vasarely
Profiles
Sunshine of Your Life

Recent laws are forcing multinational corporations to take the environment seriously

BY Eri Kawade |
Frieze
The Grimee

How dishing the dirt cost a round the way girl her job
Opinion
Modernism Blazing

Michael Fried's Formalist Flashback

Features
Be There or Be Square

Peter Davies
Features
Snakes and Daggers

Philip Taaffe
Reviews
Théodore Géricault
BY Laurie Attias |
Reviews
Sarah Sze
BY David Barrett |
Reviews
Mitchell Syrop
BY Carmine Iannaccone |
Reviews
Joe Scanlan
BY Michelle Grabner |
Reviews
Ugo Rondinone
BY Pádraig Timoney |
Reviews
Andrea Robbins and Max Becher
BY Rebecca Dimling Cochran |
Reviews
A. G. Rizzoli
BY Ronald Jones |
Reviews
Not for Sale
BY Helen Molesworth |
Reviews
Paul Noble
BY Neal Brown |
Reviews
Ulrich Meister
BY Martin Pesch |
Reviews
Piero Manzoni’s Absolute Images

The artist’s most well-known work is Artist’s Shit

BY Gavin Turk |
Reviews
Ilya and Emilia Kabakov
BY Stuart Morgan |
Reviews
Christina Mackie
BY Jennifer Higgie |
Reviews
Instantaneous
BY Neal Brown |
Reviews
Anna Gaskell
BY Bruce Hainley |
Reviews
Véronique Boudier
BY Sophie Berrebi |
Reviews
Chris Finley
BY Michael Darling |
Reviews
Monica Bonvicini
BY Jörg Heiser |
Reviews
Kevin Appel
BY Michael Darling |