Issue 42
Sept - Oct 1998

From this issue

Art and Advertising - grounds for divorce?

Rejecting the media's moralising response to The Truman Show

Todd Haynes' Velvet Goldmine reveals the central role of homosexuality in British Pop from the ’50s through to the ’80s

Jake and Dinos Chapman

Darren Almond

Finding virtue in the invisible

IMAX might be bigger, but it's definitely not better

The twisted relationship between artists, journalists and the media

Simon Periton

Charting the unhappy lot of the modern office worker

Manifesta 2