Issue 42
Sept - Oct 1998
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From this issue

One Takes
Picture Piece: Art and Advertising

Art and Advertising - grounds for divorce?
Profiles
We Are Not Alone

Rejecting the media's moralising response to The Truman Show
Profiles
The Glitter People

Todd Haynes' Velvet Goldmine reveals the central role of homosexuality in British Pop from the ’50s through to the ’80s
Features
Self-Portrait as the Garden Between Eve and the Snake

Liz Craft
Features
Back To School

Jake and Dinos Chapman
Features
Doing Time

Darren Almond
Opinion
The Art of Disappearing

Finding virtue in the invisible
Profiles
Untamed Nature

IMAX might be bigger, but it's definitely not better
Opinion
Yours Sincerely

The twisted relationship between artists, journalists and the media
Features
Cut Out and Keep

Simon Periton
Profiles
Executive Stress

Charting the unhappy lot of the modern office worker
News
All Together Now

Manifesta 2
Reviews
Chris Ofili
BY Jennifer Higgie |
Reviews
The Art of the Motorcycle
BY Matthew DeBord |
Reviews
Make Way for the Mediterranean
BY Justin Hoffmann |
Reviews
Jochen Klein
BY Ronald Jones |
Reviews
Hygiene
BY Laurie Attias |
Reviews
Dak'Art: The 4th Dakar Biennale
BY Okwui Enwezor |
Reviews
Biohazard 2, Capcom / Parasite Eve, Square
BY James Roberts |
Reviews
Bili Bidjocka, Los Carpinteros, Rivane Neuenschwander
BY Márcia Fortes |
Reviews
Animation
BY David Barrett |
Reviews
Frances Whitehead
BY Laurie Palmer |
Reviews
Bill Viola
BY Joe Scanlan |
Reviews
John Tremblay
BY Bruce Hainley |
Reviews
Georges Tony Stoll
BY Sophie Berrebi |
Reviews
Mike Slattery and Jno Cook
BY Laurie Palmer |
Reviews
Peter Shelton
BY Neal Brown |
Reviews
Manfred Pernice
BY Gregory Williams |
Reviews
Ferdinand Porsche
BY Laurie Attias |
Reviews
Martin Parr
BY Neal Brown |
Reviews
Pakkhus
BY Ina Blom |