Daniel Penny writes about art and culture at The New Yorker, The Paris Review, Boston Review, and elsewhere. He teaches writing and visual culture at Parsons School of Design.
At James Cohan, New York, a suite of new paintings harken back to the chaotic pre-COVID streets
Snapchat guru Nathan Jurgenson’s new book argues that our surfeit of images has ushered in a new way of existing in the world
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