From Kinga Bartis’s quietly captivating paintings to Madeleine Andersson’s nauseating footage of human brains, this year’s participants in Bergen select their favourite recent exhibitions
Ian Bourland is a critic and associate professor of art history at Georgetown University, USA. He writes widely on art, pop culture and aesthetics, and has published two books, Bloodflowers (Duke University Press, 2019) and Blue Lines (Bloomsbury, 2019).
Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world