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Contributor
Kaelen Wilson-Goldie

Kaelen Wilson-Goldie is a writer based between Beirut, Lebanon, and New York, USA.

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries?

BY Kaelen Wilson-Goldie |

Prisoners of conscience and creative acts

BY Kaelen Wilson-Goldie |

How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day

BY Kaelen Wilson-Goldie |

On working as an artist in Beirut today

BY Kaelen Wilson-Goldie |

Artistic responses to the question of Palestine

BY Kaelen Wilson-Goldie |

Alex Farquharson and Kaelen Wilson-Goldie grapple with the complexities of dOCUMENTA (13)

One woman’s protest in Damascus

BY Kaelen Wilson-Goldie |

What a show in New York says about artistic freedom in Lebanon

BY Kaelen Wilson-Goldie |

The land and the sea; the mapping of clandestine journeys; the intertwining of personal stories and politics

BY Kaelen Wilson-Goldie |

The problems of funding art during times of revolution

BY Kaelen Wilson-Goldie |

Three reports from ‘ILLUMInations’, the Giardini and the off-site pavilions 

A pivotal moment for public performance in the Arab world – this is the first in a regular series of columns by Beirut-based writer Kaelen Wilson-Goldie

BY Kaelen Wilson-Goldie |