Art invitations may have become a branding tool, but a Brussels gallery has reintroduced experimentation with an ‘attempt to transcend the banality of the folded newsletter’
Art invitations may have become a branding tool, but a Brussels gallery has reintroduced experimentation with an ‘attempt to transcend the banality of the folded newsletter’
In June this year a few hundred people gathered in a terraced field in a remote part of Arcadia in Greece to witness the world premiere of the opening cycles of Gregory Markopoulos' 80-hour film Eniaios (1947-91)