Music

Showing results 101-120 of 315

From Shanghai to Dubai, a new history charts the frontiers where underground scenes battle big business for electronic dance music’s soul

BY Tom Mouna |

‘An artist in a proud and profound sense, whether he liked it or not’ – a tribute by Michael Bracewell

BY Michael Bracewell |

At a time of #metoo fearlessness, a collection of female critics interrogate their own fandom for music’s most celebrated sexists

BY Jessica Hopper |

Why the 40-year-old Mute record label remains an enigma

BY Simon Reynolds |

When musical signifiers for sex so often become sonic pornography, LCMF 2017 showed alternative ways of marrying sound and body

BY Philip Clark |

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

BY Jörg Heiser |

From the drone blasts of Polwechsel to Pauline Oliveros's ecological politics, deep listening at the festival’s anniversary edition

BY Tim Rutherford-Johnson |

The London Sinfonietta celebrates 50 years of supporting and performing new music

BY Andrew Mellor |

What does the new music genre 'necropolo' reveal about Poland's current political situation? 

BY Krzysztof Kościuczuk |

On the intertwined histories of music, sampling and influence

BY Vivien Goldman |

Ahead of its South London Gallery performance, how Tom Phillips’s Irma – a work that questions the genre of opera itself – is being staged

BY Adam Harper |

From Stravinsky in a car park to concerts in living rooms, how is classical music culture changing? 

BY Adam Harper |

'Romantic, muscular, propulsive': Jace Clayton discusses his tribute to the American minimalist, ahead of its London performance this weekend

BY Robert Barry |

Artist and composer Ari Benjamin Meyers on exhibiting music 

BY Ari Benjamin Meyers AND Pablo Larios |

SoundCloud has been invaluable to the new music community for both documentation and discovery – now the audio-sharing platform is in peril

BY Tim Rutherford-Johnson |

On the anniversary of the 2016 Orlando massacre, Brendan Fernandes reclaims the dancefloor as a site of resistance

BY Ian Bourland |

Remembering the pioneering composer, visionary thinker, multimedia artist and techno-utopian, who died in May

BY Lorenza Pignatti |

What are the implications of documenta 14’s focus on the aural?

BY Sam Thorne |

X-ray records in the Soviet Union

BY Harry Thorne |

Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

BY Josie Thaddeus-Johns |