The Abject

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As morbid devotional objects go on show at Frieze Masters, one writer asks: why do we look at violent religious art?

BY Olivia Laing |

Why has abjection gained renewed currency in art?

BY Kirsty Bell |

Abjection has gained renewed currency as art looks to the body and states of digital and physical decay

BY Ed Atkins |

Why is abjection making a comeback?

BY Hannah Black |