Essay

Liz Kim on how the social and artistic movement of the 1980s inspired a new generation of Korean artists

With the spotlight at the Venice Biennale falling all-too-often on the 30 national pavilions in the Giardini, writer Jennifer Higgie asks whether this 19th-century format still makes sense

On the tenth anniversary of Kelley’s death, Dan Fox rereads the artist’s writing and criticism

In a cross-continent phone conversation, one author traces the narrative artist’s evolution through her books

Ellen Mara De Wachter considers how plants can teach us to live ethically

Notes on Awkwardness

Dan Fox reports on the exhibition's highlights

Pablo Larios talks about 'Network Fatigue' in the age of digital circulation

Dan Fox asks: who are the audiences for artists, writers and curators?

What do we mean by Post-Internet art?

Jessica Warboys works with film, painting, sculpture and stained glass. But her primary medium may be our ability to recognize resemblances.

Phil Collins embraces mass media and popular culture, only to unsettle the stereotypes they produce.

A letter to Claes Oldenberg by co-editor Dan Fox

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal

Quinn Latimer on Moyra Davey’s films, photographs and writing