Think Piece

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Public monuments, Islamic State and contesting the story of the past by Marina Warner

BY Marina Warner | 25 SEP 15

On mimesis, art and alchemy

BY Jan Verwoert | 21 AUG 15

The intermingling of art and illustration in the work of Catrin Morgan, Jockum Nordström, Tomi Ungerer

BY Charlie Fox | 01 JUN 15

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale

BY Kaelen Wilson-Goldie | 26 APR 15

How a sense of the local shapes art in the US

BY Jennifer Kabat | 24 APR 15

In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?

BY David Geers | 20 FEB 15

Imagine a door with no room: Are you inside or outside?

BY Amy Sherlock | 17 DEC 14

A slew of recent exhibitions and projects reveal an interest in the artist as anthropologist

BY Kaelen Wilson-Goldie | 25 SEP 14

Approaching sincerity via poetry and art

BY Matthew Rana | 30 MAY 14

British art and the 1990s

BY Dan Fox | 23 NOV 13

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries?

BY Kaelen Wilson-Goldie | 13 OCT 13

What do drones see? And how can we see them?

BY Christy Lange | 24 MAY 13

From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair

BY Ara H. Merjian | 23 MAY 13

A number of recent exhibitions and artist projects have utilized the architecture of the television studio. How does this tendency relate to TV’s shifting significance as a cultural form?

BY Maeve Connolly | 17 MAY 13

How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day

BY Kaelen Wilson-Goldie | 13 APR 13
Article

Pleasure and Criticism

BY Jan Verwoert | 11 NOV 02