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Contributor
Gilda Williams

Gilda Williams is an art critic and senior lecturer at Goldsmiths, London, UK. She is the author of How to Write about Contemporary Art (2014); her most recent publication is the reader On and By Andy Warhol (2016).

Reviews
Not Another Warhol Show: A Review from Tate Modern

This mini-retrospective makes a compelling case for the ongoing relevance of the 20th century’s most ubiquitous artist

BY Gilda Williams |
Profiles
How Joyce Pensato (1941-2019) Captured the Junky Underbelly of Pop Culture

Gilda Williams pays tribute to the American painter, ‘an artist exalting in unruly triumph’

BY Gilda Williams |
Fan Letter
Gilda Williams on Noah Purifoy’s ‘From the Point of View of the Little People’

‘Purifoy conjured life from practically nothing: ten pairs of used trousers, discarded trainers, a few spare planks’

BY Gilda Williams |
Opinion
‘The Rhonda Lieberman Reader’ Is The Answer To Our Prayers

Everybody’s favourite underpaid, over-educated, raven-haired art critic, Rhonda Lieberman, is as relevant as ever

BY Gilda Williams |
Critic's Guides
The Garden

Gilda Williams visits the first edition of the ARoS Triennial in Aarhus, Denmark

BY Gilda Williams |
Features
In Search of the Miraculous

A report from the 2016 edition of the Serpentine Gallery’s Miracle Marathon

BY Gilda Williams |
Features
Are We Post-Critical?

On Hal Foster's Bad New Days: Art Critcism Emergency

BY Gilda Williams |