At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
Jamillah James is curator at the Institute of Contemporary Art, Los Angeles, USA. She is currently working on ‘No Wrong Holes’, a 30-year survey of artist, educator and curator Nayland Blake, and the 2021 edition of the New Museum Triennial, New York, USA.
As the world tips towards more reactionary and fascistic regimes, what does it mean to call for artistic freedoms that implicitly reproduce oppression?
