Tim Rutherford-Johnson is author of Music after the Fall: Modern Composition and Culture since 1989 (University of California Press) and blogs about contemporary music.
At this year’s platform for experimental music in Bergen, laughter was the most striking sound
From the drone blasts of Polwechsel to Pauline Oliveros's ecological politics, deep listening at the festival’s anniversary edition
SoundCloud has been invaluable to the new music community for both documentation and discovery – now the audio-sharing platform is in peril
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