UK Reviews

Showing results 141-160 of 230

At Modern Art, London, ‘The Moth and the Thunderclap’ contains works by over 40 artists channelling the energies of the natural world 

BY Aliya Say |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

At Kerlin Gallery, Dublin, the artist’s domestic objects are playfully at odds with a world dominated by rigid functions

BY Frank Wasser |

At Camden Art Centre, the artist’s first solo UK institutional show is imbued with latent dread

BY Tom Jeffreys |

The artist’s oversized flowers at Stephen Friedman Gallery, London, address ideas of inheritance and nurture 

BY Tom Morton |

An exhibition at Dundee Contemporary Arts interrogates the relationship between memory, experience and preservation 

BY Helen Charman |

At Brighton CCA, the artist’s latest participatory installation invites audiences to comb for gold in tonnes of stones transported from the nearby coast

BY Salena Barry |

At Chisenhale Gallery, London, the artist uses documentary and drama to look into colonialism, loss and spiritual awakening

BY Finn Blythe |

At Baltic, Gateshead, the artist’s first solo institutional exhibition examines the pernicious effects of Britain’s oil interests in the Kurdistan Region

BY Rosalie Doubal |

An ambitious group show at Michael Werner Gallery, London, curated by Andrew Bonacina, invites us to examine the possibilities of human representation through the works of 28 artists

BY Emily Steer |

At the Hunterian Art Gallery, Glasgow, the artist activates the archives of Scotland’s most influential carpet designers, James Templeton & Co Ltd and Stoddard International plc

BY Helen Charman |

At Studio Voltaire, London, a new film narrated by Ben Whishaw asks why the intelligence services proved such an ideal calling for gay men in the early 20th century

BY Alastair Curtis |

An exhibition at De La Warr Pavilion, Bexhill-on-Sea, unites the artist’s maritime works, exploring narratives of migration, power and trade  

BY Rosanna McLaughlin |

At Sprüth Magers, London, the artist transforms the galleries into a labyrinthine changing room dripping with anticipation of future performances

BY Juliet Jacques |

At Alison Jacques, London, the Turner Prize-nominated artist recasts Caribbean flora and quotidian objects as symbols of interconnectedness and care

BY Salena Barry |

At Maximillian William, London, the artist’s glamorous figures render viewers more than mere witnesses

BY Melissa Baksh |

An elegant retrospective at The Photographers’ Gallery, London, has striking contemporary resonance in a country that remains profoundly unequal

BY Julie Hrischeva |

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

BY Tom Morton |

At Hepworth Wakefield, the artist’s light-sensitive paintings are an ongoing work in progress

BY Lauren Dei |

An enthralling retrospective at the Royal Academy of Arts, London, gathers 40 years worth of works in a diverse range of mediums

BY Tim Smith-Laing |