Issue 51
Mar - Apr 2000
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From this issue

One Takes
Picture Piece: The Milton Keynes Team, 1973

C&A, brutalism and bus strikes - the radical architects of Milton Keynes
Frieze
Child's Play

Toying with the White Cube
Profiles
All Cats Are Grey

Fashion's flirtation with the over-50s
News
Trouble in Paradise

The Sixth International Carribean Biennale
Frieze
A Tangled Web

Net Art's arrival in the museum

BY Stephen Heidenreich |
Frieze
Nothing Sacred

Grave concerns

Features
Wallflower

Tomma Abts

BY Dale McFarland |
Profiles
Model Living

Constant's New Babylon

Frieze
Been There

Celebrations of the Future

Frieze
What I Did in the Holidays

Utopias - the thinking person's holiday resort

Frieze
Paradise Postponed

Utopian Communities

Profiles
Ask Me Another

Programming languages

BY Henry Stott |
Reviews
Unconvention
BY Mark Sladen |
Features
Disco Discontent

Liam Gillick
Reviews
Mirror's Edge
BY Jörg Heiser |
Reviews
Amy Adler Curates Joni Mitchell
BY Benjamin Weissman |
Reviews
David Shepherd
BY Neal Brown |
Reviews
Renée Levi
BY Hans Rudolf Reust |
Reviews
Sarah Lucas Encourages You to Laugh at Obscenity

The artist's latest show at Contemporary Fine Arts, Berlin, combines smutty hilarity with art-historical motifs

BY Dominic Eichler |
Reviews
Chris Reinecke
BY Anja Dorn |
Reviews
Luca Buvoli
BY Gregory Williams |
Reviews
Marko Lulic
BY Markus Wailand |
Reviews
Stan Douglas
BY Ingrid Chu |
Reviews
Charlotte Posenenske
BY Martin Pesch |
Reviews
Marco Brambilla
BY Shonagh Adelman |
Reviews
Gordon Bennett
BY Jörg Heiser |
Reviews
Carnegie International
BY Mark Sladen |
Reviews
Julian LaVerdiere
BY David Hunt |
Reviews
Daniel Chadwick
BY Neal Brown |
Reviews
Tobias Rehberger
BY Dominic Eichler |
Reviews
Urban Islands
BY Dale McFarland |
Reviews
John Baldessari
BY Jan Verwoert |
Reviews
Ken Adam
BY Dan Fox |
Reviews
Gesamtkuntswerk
BY Danny Huppatz |
Reviews
Karin Sander
BY Charles LaBelle |
Reviews
To Be Continued
BY Andrew Gellatly |
Reviews
Linda Besemer
BY Carmine Iannaccone |