Chris Killip

From Howardena Pindell’s harrowing retrospective at Kettle’s Yard, Cambridge, to Garrett Bradley’s moving debut at Lisson Gallery, London

From a monumental William Kentridge retrospective at The Royal Academy of Arts, London, to Rose B. Simpson’s solo exhibition at ICA/Boston

From Somaya Critchlow’s alluring female figures at Maximillian William, London, to William Kentridge’s monumental retrospective at the Royal Academy of Arts

An elegant retrospective at The Photographers’ Gallery, London, has striking contemporary resonance in a country that remains profoundly unequal

The first of an occasional series in which frieze invites an artist, curator or writer to discuss the images that have influenced them